The Public Review
The Public Review
on Hamad Butt: Apprehensions, Irish Museum of Modern Art, Dublin
Dylan Huw
April 2, 2025
on Prospect.6: The Future is Present, the Harbinger is Home, New Orleans, Louisiana
Lauren Stroh
March 11, 2025
on Steina: Playback at MIT List Center for Visual Arts, Cambridge, Massachusetts
Corinna Kirsch
January 20, 2025
on Foreigners Everywhere at the 60th Venice Biennale
Kaelen Wilson-Goldie
November 16, 2024
on Basma al-Sharif: The Place Where I was Condemned to Live at de Appel, Amsterdam
Saja Amro in conversation with Merve Bedir
October 13, 2024
on Ana Lupas: On This Side of the River Elbe at the Stedelijk Museum, Amsterdam
Megan Hoetger
September 10, 2024
on Joan Jonas: Good Night, Good Morning at the Museum of Modern Art, New York
Katherine Siboni
June 16, 2024
on Public Works: Art by Elizabeth Olds at the Harry Ransom Center, UT Austin, Texas
Michelle Donnelly
May 9, 2024
on Noor Abuarafeh’s Resistive Narratives at Kunstverein München
Linnéa Bake
November 16, 2023
on Wynnie Mynerva’s The Original Riot at the New Museum, New York
Anna Cahn
November 4, 2023
on Mai Ling’s NOT YOUR ORNAMENT at Secession, Vienna
Carlos Kong
October 20, 2023
on Philip Guston Now at the National Gallery of Art, Washington, DC
Rachel Burke
June 6, 2023
on David Joselit’s Art’s Properties
Genevieve Lipinsky de Orlov
April 11, 2023