The Public Review

Always the Observed

on Joan Jonas: Good Night, Good Morning at the Museum of Modern Art, New York

Katherine Siboni

June 16, 2024

Solidarity in Print

on Public Works: Art by Elizabeth Olds at the Harry Ransom Center, UT Austin, Texas

Michelle Donnelly

May 9, 2024

Locating the Gaze

on Dislocations at Palais de Tokyo, Paris

Cecilia Bien

April 1, 2024

Editorial Board

December 31, 2023

The photo that remembered how to forget

on Noor Abuarafehs Resistive Narratives at Kunstverein München

Linnéa Bake

November 16, 2023

Experiments in Eden

on Wynnie Mynervas The Original Riot at the New Museum, New York

Anna Cahn

November 4, 2023

Anti-Asian and the Art Institution

on Mai Lings NOT YOUR ORNAMENT at Secession, Vienna

Carlos Kong

October 20, 2023

Collapsed Locality

on Tony Cokes at Dia Bridgehampton, New York

Kai Hatcher

August 27, 2023

The Banality of Tragedy

on Philip Guston Now at the National Gallery of Art, Washington, DC

Rachel Burke

June 6, 2023

False Friend

on Iris Touliatous Gift at Kunsthalle Basel

Brit Barton

May 5, 2023

Toward Divesting the Artwork

on David Joselits Arts Properties

Genevieve Lipinsky de Orlov

April 11, 2023

The editors

February 11, 2023